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Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes
Edited by Chris Berry, Nicola Liscutin, and Jonathan D. Mackintosh
TransAsia: Screen Cultures
Content
Acknowledgements
Notes on Contributors
Note on Romanization
Introduction – Jonathan D. Mackintosh, Chris Berry, and Nicola Liscutin
I. Reflections on Cultural Studies in/on Northeast Asia
1. Reconsidering East Asian Connectivity and the Usefulness of Media and Cultural Studies – Kōichi Iwabuchi
2. Asian Cultural Studies: Recapturing the Encounter with the Heterogeneous in Cultural Studies – Michael Dutton
3. How to Speak about Oneself: Theory and Identity in Taiwan – Mark Harrison
II. Cultural Industries in Northeast Asia
4. Placing South Korean Cinema into the Pusan International Film Festival: Programming Strategy in the Global/Local Context – SooJeong Ahn
5. Global America? American-Japanese Film Co-productions from Shogun (1980) to Lost in Translation (2003) – Yoshi Tezuka
6. In between the Values of the Global and the National: The Korean Animation Industry – Ae-Ri Yoon
III. Discourse, Crossing Borders
7. The Transgression of Sharing and Copying: Pirating Japanese Animation in China – Laikwan Pang
8. The East Asian Brandscape: Distribution of Japanese Brands in the Age of Globalization – Shinji Oyama
9. Korean Pop Music in China: Nationalism, Authenticity, and Gender – Rowan Pease
IV. Nationalism and Transnationalism: The Case of Korea and Japan
10. Surfing the Neo-Nationalist Wave: A Case Study of Manga Kenkanryū – Nicola Liscutin
11. Melodrama, Exorcism, Mimicry: Japan and the Colonial Past in the New Korean Cinema – Mark Morris
12. Reconsidering Cultural Hybridities: Transactional Exchanges of Popular Music in between Korea and Japan – Yoshitaka Mōri
Notes
General Bibliography
Index |
